symbol akce!

Akce!@LX5Homebase

czech luxembourgish exchange exhibition

Jan Dyntera

EDUCATION: MG (Second Class Honours) - Film, Television, Photographic Art and New Media ; Silesian University - Institute of Creative Photography, Opava, Czech Republic, start 2006 ; BA (First Class Honours) - Film, Television, Photographic Art and New Media ; Silesian University - Institute of Creative Photography, Opava, Czech Republic, 2001 - 2005 ; Reproductin Graphic Design Certificate ; Polygraphic College, Prague, Czech Republic, 1992 - 1995 ; Technologist Certificate ; School of Technical Engineering, Nove Mesto nad Metuji, Czech Republic, 1989 - 1992

Selection of collective exhibitions: 2003 Opava - Diploma and final portfolios of ITF ; Cerveny Kostelec - selection 2004 Lodz - presentation ITF ; Ostrava - Diploma and final portfolios of ITF ; Moscau - Czech documentary photography ; Bratislava - Diploma and final portfolios of ITF ; Poznaň - Diploma and final portfolios of ITF ; Prag - Czech Press Photo ; Kaunas - Diploma and final portfolios of ITF ; Cheb - Diploma and final portfolios of ITF 2005 Vilnius - presentation ITF ; Prag - Fifteen ; Czeszyn - Dvě města dve univerzity ; Uherské Hradiště - Letní Filmová Škola ve fotografiích ; Opava - Opava na prahu nového tisíciletí ; Krakov - Fifteen ; Ostrava - Fifteen 2006 Warszaw - Fifteen ; Praha - In-teriéři ; Photokina - Presentation ITF ; Opava - "A butterfly age" ; 2007 Praha - Ex-Teriery ; Wiena - presentation ITF ; Bratislava - final portfolios of ITF ; Berlin - presentation ITF ; Luxembourg - LX5 Homebase ; Prag - Czech Press Photo

Individual exhibitions: 2005 Náchod - "A butterfly age" - selection, 2006 Krakov - "A butterfly age" ; Moravska Třebová - "A butterfly age" ; Opava - "A butterfly age" ; Praha - "Middle of Homewhere" 2007 Náchod - "Panorama Years" ; Blatna - Kon-tiky / Middle of Homewhere ; Pardubice - Abilympic - "Panorama years"

Ko-ntiki set: These pictures are as if they were empty, without the man but it can be sensed from them, the signs of its doings, You never know if the man has just left or if the place is long deserted. I like this double viewing, the person who is present and still away, the person who forms, who „cultivates“ the landscape and together with that – hopefully – cultivates himself too… This set consists of two parts, sometimes I put them together, sometimes not. These are „The Landscapes“ and „The Places“. All the one big andventure indeed. Something as a Ko-ntiki…